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Umunne and Umunna, the Igbo Children

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Umunne and Umunna, the Igbo Children

Centuries away from undiluted Igbo customs, and thousands of miles away from the land of their ancestors, Minnesota Igbos strive to keep their traditions alive.

ST. PAUL, Minn. – Young women wiggled their bellies and shook their torsos to the tune of the music. Gentlemen – with bundles of one-dollar bills in their hands – lined up to tip their favorite dancers. Women dispensed generous amounts of dollars, too. It was one big party, but not the kind you are thinking about. It was the fourteenth-annual IgboFest.
   
Members of Umunne Cultural Association, an organization of Igbo-speaking Nigerians in Minnesota, gathered Saturday at the University of St. Thomas in St. Paul to celebrate their culture. Women, men and children braved the showers that descended on the Twin Cities all day to form long lines at he food kiosks.
 
Inside the O’Shaughnessy Education Center auditorium, two young women stood on stage, ready to sing. The first one sang the Star-Spangled Banner. Two people – perhaps American friends of Umunne – sang along. But when the other young woman took the microphone and began to sing, “Arise, O compatriots, Nigeria’s call obey, …,” the auditorium joined and applauded loudly when she finished.

Throughout the day, the theme of the festival seemed to be “Dance, dance, dance,” and people came from far places to join their countrymen in performing traditional Igbo dances and rituals.

“There is a brother-sister relationship between us and Umunne,” said Uba Nwaerondu, as sweat dripped down his face.

A minute earlier, Nwaerondu, who traveled from, Manitoba, Canada, was on stage, clad in a golden-brown T-shirt and a multi-colored cloth wrapped around his waist, shaking his abdomen and stamping his bare feet. Jingles from small bells attached to a waist belt filled the room, as men and women cheered and showered him with dollar-bills for “Ubamara,” a special dance he said he had invented and named by combining the first two letters of his name and Amara, his wife’s name. Nwaerondu belongs to Umunna Cultural Association, (not to be confused with Umunne) based in Winnipeg, Manitoba.

“Umunna means ‘children of the same father,’ and Umunne means ‘children of the same mother,’ he explained. “We are all descendants of the same parents.”

So special is the relationship between the two organizations that each group makes efforts to send representatives to the other’s festival. Umunne dancers traveled to the Twin Cities to Winnipeg in July to attend Ummuna’s IgboFest. The trip prompted Nwaerondu and other dancers to come to St. Paul – not only to return a favor, but also to showcase their new dance moves.

“It is a well-natured competition between us,” said Ifeoma Okwor, a University of Manitoba graduate student of immunology, whose Umunna troupe danced as drummers and percussionists played traditional Igbo beats.

The highlight of the evening was Ummune’s Bende war dancers. Imagine four clean-shaven topless black men wearing red, white and blue-stripped Santa hats and kilts similar in color, but not as neatly tailored as Scottish ones. In fact, they were not tailored at all. Then add eight similarly dressed little helpers aged between 10 and 12 with – like the Santas – dry blood-like emulsion on their bare chests. Now imagine them dancing to West African drums, bells and flutes.

“This is who is going to carry the mantle and make sure the tradition continues,” Austin Wamuo, the group’s leader, said of the boys. “We want them to master the traditional Igbo culture and pass it on to future generations.”   

Wamuo has been commander of the warriors since the first IfboFest. He retired on Saturday.

The dance is unique to the Bende region of Igbo and is a celebration of victory in  war against a non-Igbo tribe, said Marcus Kalu, who went around the hall dipping a white fly whisk in a bowl of water and spraying “villagers” to cleanse them of “evil spirits.” His ancestors used palm wine.

As the younger warriors danced around the stage, one of the older men paraded three skulls supposedly decapitated from to the enemies they had “killed.” Ironically, all the warriors still carried between their teeth eight-inch pieces of golden-yellow paper, like pigeons delivering messages of peace. The rolled-up and twisted papers were supposed to be dry palm leaves traditional warriors placed in their mouths to ensure they “concentrated on the task of fighting and killing the enemy.” The warriors are forbidden to talk until the cleansing ritual is finished.

“We try our best to accurately simulate the way it was done in the past,” Kalu said.

The festival is not only about past traditions, however. Young people are allowed to show that the past and the present can come together harmoniously. That is why four girls, whose group was so new they hadn’t even thought of a name for it – received cheers and applause for a routine that was not even remotely Igbo: They danced to the late South African diva Brenda Fassie’s hit song, “Vulindlela.” 

It is this kind of flexibility that has made the festival popular across generations, said Diane Uchechi Okwulehie of St. Paul, who has attended IgboFest every year since it’s founding in 1993.
   
“The festival has quite grown,” Okwulehie said. “Every year more people from outside (the Twin Cities metro area) come to celebrate with us.”

Money raised from the festival goes toward promoting Igbo cultural education and awareness, according to Umunne’s Web site. The organization hopes to raise enough money to acquire a building to serve as a permanent Igbo cultural center.

UNICEF appoints South African fashion icon Gavin Rajah Goodwill Ambassador

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UNICEF appoints South African fashion icon Gavin Rajah Goodwill Ambassador

Designer to champion protection of children from violence and abuse

Cape Town, South Africa, 11 August… UNICEF last night announced the appointment of top South African couturier and humanitarian activist Gavin Rajah as a UNICEF Goodwill Ambassador.  The announcement by the world’s premier children’s organization came at the close of the designer’s Cape Town Fashion Week show in the city South Africans affectionately call the “mother city”.

Welcoming Mr. Rajah to the global fraternity of UNICEF Goodwill Ambassadors, Macharia Kamau, UNICEF South Africa Country Representative, said the appointment recognized Rajah’s transformative contributions to the lives of South African children and their families.  Through his generous philanthropy and advocacy and his impressive creative achievements as a fashion designer and entrepreneur, Gavin Rajah promotes the rights of women and children to protection from violence, abuse and exploitation, and actively supports the development of critical life skills for young people.” 

 “I am deeply honored by this appointment, Mr. Rajah said, as he accepted the UNICEF appointment.  I have always been a great admirer of UNICEF’s work to protect the children of the world and I am proud to have been given the opportunity to help UNICEF protect, care for and stamp out the most abhorrent crime of violence against children, particularly those in my own country.  We must all work harder to create safer conditions for children to grow up in.  There is no future without children.” 

In his work with UNICEF, Rajah will champion child protection, focusing on the care and protection of orphans and other vulnerable children like those in child-headed households, and for their right to grow up in healthy, safe environments, free from the scourge of violence.

According WHO global estimates, twenty-five per cent of girls and eight percent of boys have been subjected to some form of sexual abuse.  The United Nations Study on violence against children showed that from forty to sixty percent of sexual abuse in families involves girls under the age of 15, and that boys and girls with physical disabilities are particularly vulnerable to sexual abuse.

Equally startling data on violence against children in South Africa show that the country may have a long way to go to achieve Rajah’s dream of a violence free environment for all children.  According to the South African Police Service (SAPS), in 2005, 360,000 women and children were murdered, raped, assaulted and sexually molested in South Africa and 31,607 children were victims of common assault.  Eighty-eight percent of first offenders are known to the abused, and homicide and violence is the no. 15 cause of death for children under 5 years old in South Africa.
 
South Africa is fighting back, however, with significant pieces of protection legislation currently before Parliament such as the Children’s Amendment Bill, the Sexual Offences Bill the Child Justice Bill and Child Trafficking legislation.  Child protection units and specialized courts have been established to deal with sexual offences and aim to help reduce the time between reporting and finalizing a case and increase conviction rates.  South Africa has a 7% conviction rate for all rapes reported to police, whether child or an adult. UNICEF provides technical support to these initiatives and to the 12 integrated centers (Thuthuzelas) that provide treatment, care and support to child survivors of sexual violence.

About Gavin Rajah

Gavin Rajah, who recently introduced  the work of  four young South African designers at his 4 July Paris Fashion Week show, is a founder of Cape Town Fashion Week and the only South African designer invited by France’s prestigious Federation Française de la Couture to showcase his collections at fashion’s leading event, Paris Fashion Week. 

His relentless advocacy has helped give the fashion industry a human face and has earned him international admiration as a speaker on development issues at high level events like the World Economic Forum, where he recently spoke out about child labour practices in the fashion industry and others.  He is in demand as fundraiser and remains an influential celebrity advocate for the rights of South African children and women.

Inspired by South Africa’s rich, cultural heritage and traditional crafts, Gavin Rajah believes they should be nurtured and protected. “These unique traditions can, through advanced skills training, provide HIV affected young people and their families with sustainable livelihoods,” he says.  Mr. Rajah has announced plans to work with UNICEF and other partners to establish a sustainable development community-based project that supports families and young people who wish to learn garment manufacturing skills, a backbone industry in the Western Cape, where he operates his design studio and where his world famous garments are made. 

With his new appointment, Gavin Rajah joins global celebrities such as tennis great Roger Federer, singers Ricky Martin and Shakira and South African football and music stars Quinton Fortune, Zola and Yvonne Chaka Chaka, who use their celebrity power to advocate for improvements in the wellbeing of all children. 

Redykyulass Tour – 2007

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There is always a stir of excitement where Redykyulass is concerned. Ever since the trio entertainers came together in 1998, they have managed to amuse audiences from East Africa, as well as overseas.

 

The group that consists of Walter Mongare also known as Nyambane, Tony Njuguna and John Kiarie (KJ) got the opportunity to tour the States again this year. Redykyulass has been touring the States every summer since 2000, and with each year, their fans and performances have diversified. This years’ tour got them performing in States like California, Delaware, New Jersey, Georgia and Washington DC, where they drew endless laughter from audiences. Their close out tour was in Minnesota at Park Centre High School in Brooklyn Park.

 

That is where I got the chance to sit down and have a one-on-one with KJ. After formally introducing ourselves to each other, KJ and I chat a bit, as we wait for Njeri Karanja and her crew from Ladha Ya Kenya to set up and record the interview. KJ begins by letting me know that the tour has been amazing, judging from the feedback they’ve recieved from audiences across the States. It’s a wonderful experience to see the reception of different acts from year to year, and especially with audiences that attend each year, this tour has been well recieved and highly acknowledged. Though the acts are always new, there are some Redykyulass classics that are a must see. However, the group modifies them to ensure there is no exact replica.

 

During their performances, KJ, Walter and Tony bring out wit and humour on new issues that are captivating and relative to everyday life. The group is intent on engrossing the audience with humorous skits that evoke nostalgic emotions of back home.When Redykyulass is not killing audiences with laughter, they take time to attend concerts and visit various tourist attractions. They also make it a point to interract in depth with East Africans living in the States, listen to their stories and somehow incorporate them in their show.

 

Despite their busy schedule and the long drives from State to State, KJ says that the tour is in some way a vacation due to individual full time jobs back home in Nairobi, Kenya.

 

Any future plans? Well, KJ says, we are living part of those plans out. When Redykyulass first came together, there was a lot of intimidation, sabotage and threats. Some shows didn’t appeal to the government, but fortunately the group was never arrested. Credible for their talent and persistent in their art, the group continued to become big as their audience grew. Now, not only are they living out their dreams, but also helping others realise their own dreams and talents.

 

 A few years back they presented Mzee Ojwang Hatari from Vitimbi with the opportunity to tour with them. This year, KJ was proud to inform me that they had a new sensation in their midst, Daniel Ndambuki, who goes by the name Churchill, an act all on his own and a good addition to the group. Besides this, Redykyulass are the hosts of Red Corner, a televised show in Kenya that helps promote new artists.

 

Having been in the entertainment industry for almost a decade now, Redykyulass has taken their fame to a different level. They begun a movement, Vijana Tugutuke, a youth campaign in Kenya that helps bring awarenes to the importance of voting for government leaders. The campaign infroms and helps the youth register as voters, provides facts on how to use the voters card, and instills the significance of each person actively voting. KJ believes that the youth should strive to better themselves, become an authority of sorts and influence others positively.

 

As a generation we have a mission to fulfill and if the youth can work collectively, then we can all have a better society to be dependant on. KJ, who represented both Tony and Walter during this interview, attests to Redykyulass living out their part of the mission.

 

Later, I joined the rest of the audience at Park Centre High School auditorium on a comedic journey by Redykyulass –  and true to KJ’s word – their new sensation, Churchill.

 

This years’ tour was promoted by Posta Pay, an instant money transfer company, and George Ndege (Jojo) of Kilimanjaro Entertainment. Inclusive in the tour as well was Bob Nyanja, Director of the new Kenyan movie Malooned, which was aired to the audience before the Redykyulass performance begun and Linda Muthama, second runners-up of Tusker Project Fame, who opened the show with the Kenyan National Anthem.

 

Pamodzi Launches Africa’s Biggest Private Equity Fund

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Pamodzi Launches Africa's Biggest Private Equity Fund

JOHANNESBURG: Investemnt firm Pamodzi Investment Holdings has launched Africa’s biggest private equity fund, the $1,3bn Pamodzi Resources Fund (PRF), CEO Ndaba Ntsele said on Friday.

Ntsele said the fund was supported by a consortium of US investors including affiliates of American Metals & Coal International (AMCI) – a leading international energy and resources sector investor.

"International support for the fund is an overwhelming vote of confidence in the future of SA and sub-Saharan Africa. It is also further evidence of our proven ability to attract long-term foreign direct investments to SA," said Ntsele .

The PRF fund will focus on high-return investment opportunities in the resource and resource-related sectors, primarily in South Africa and across sub-Saharan Africa.

"The PRF enables us to diversify our investments into resource opportunities in sub-Saharan Africa that offer the highest sustainable returns. This complements our traditional private equity business and provides us with a diversified, risk-acceptable yet lucrative investment footprint," Ntsele said.

"It also substantially increases our participation in the resource opportunities in sub-Saharan Africa that offer the highest sustainable returns. "

Pamodzi has raised more than R16bn in investment funding over the past 10 years. The funds have been invested in a diverse portfolio of leading companies with attractive growth potential.

About R12bn of this had come from offshore, Ntsele said. Pamodzi is a major player in the resources sector and holds a controlling stake in Pamodzi Gold, which has a market capital of R1bn.

The company leads black investors who will soon hold a 27% stake in Anglo Inyosi Coal, a R7,4bn coal mining venture with resources of about 4-billion ton s.

Ntsele said Pamodzi had assembled a highly qualified team of resources fund managers to manage the fund.

He said he was bullish about the fund’s upstream and downstream effect on SA’s economy. "Independent research indicates such investments into local companies hold huge benefits for the country. Apart from the cash effect to develop major businesses, they also have a multiplier effect on secondary industries," he said.

The fund has substantially raised the previous benchmark set by South African-led private equity funds and its entire funding came from foreign investment.

Ntsele said Pamodzi had already submitted an application to the central bank to approve the fund.

Previously, Africa’s biggest private equity fund was Brait (SA’s $880m Brait Fund IV).

Private equity activity in SA has risen sharply in the past couple of years although private equity takeovers have mainly been in the retail sector.

The country’s largest fashion retailer, Edcon, was bought out by US firm Bain Capital for $3,5bn, SA’s biggest private equity deal yet.

PRF would substantially raise the previous benchmark set by South African-led private equity funds.

Regis Nyamakanga of Business Day contributed to this report.

Minneapolis Bridge Collapse: Faces of the Missing Emerge

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Minneapolis Bridge Collapse: Faces of the Missing Emerge

Sadiya Sahal was returning to her home in St. Paul Wednesday afternoon when she made a phone call to her relative in Minneapolis a half hour before the Interstate 35W bridge collapsed. The relative didn’t answer that call, but now he wishes he did.

No one has heard from the 23-year-old mother since then. Her 19-month-old daughter, Hana Mohamed, was with her in the family’s Toyota Highlander.

Sahal, who is five months pregnant, is a refugee from Somalia.

"The family is devastated and is in complete shock," said Omar Jamal, executive director of the Somali Justice Advocacy Center.

As a leader in the Somali community, the family enlisted Jamal’s help to find Sahal.

Leaders of the Somali community were at the family’s house most of Thursday to console the family. He said he’s organizing a fund-raiser to try and put the word out.

"The family is hoping that [Sahal] is in the hospital or somewhere else," Jamal said. "We will do everything possible to locate her."

Jamal said authorities were supplied with information about the car Sahal was driving. Hospitals and other health facilities in the Twin Cities were checked with no luck.

Minneapolis Police Chief Tim Dolan told the press Thursday that "a number of vehicles… are underneath big pieces of concrete, and we do know we have some people in those vehicles."

Even under that grim prospect, Jamal said the family is hoping a miracle will happen.

I-35 Tragedy

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I-35 Tragedy

August 1st, 2007 is a day that many Minnesotans will remember for years to come. When news broke that the bridge over the Mississippi River on interstate 35W had collapsed during rush hour, many Minnesota residents reacted with shock and disbelief.

 

As the shock begins to wear down, questions on why this happened are being asked. As authorities investigate the tragedy, Twin Cities residents attempt to come to terms with this disaster and continue with their lives.

 

The Mshale community would like to extend our sincerest condolences and well wishes to those who have lost family and friends, and those injured in the tragedy. 

 

The State, with federal assistance, has set in motion several programs to assist those that have been directly affected by this tragedy.

 

The Red Cross, Twin Cities chapter provided mass care at the site, and is providing mental health counseling through their grief counselors and other services at their family assistance center. It is also a place for those waiting for word on their loved ones.

 

The Family Assistance Center is located at:

 Holiday-Inn Metrodome
1500 Washington Ave.
Minneapolis, MN 55454

To search for information on a missing person, please visit their website here or call (612) 871-7676.

For alternate routes visit the Minnesota Department of Transportation here.

Innocent Galinoma: A Journey in Reggae

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I’m sitting at Cafe Latte on Grand Avenue and Victoria Street sipping a hot cup of coffee. I know it’s summer, it’s really humid, but my nerves are on a roll and need calming. I’m early for an interview with Innocent Galinoma, a reggae artist based in Minnesota, but originally from Tanzania. The coffee helps me relax as the minutes tick away. I go through my questions for the tenth time and revisit in my mind, the songs I know by Innocent. Before long, I’m sitting face to face with the artist himself. Two things immediately stand out: one, I gave him the wrong directions, however, he still made it, and the second, his long dreadlocks are no more. He’s cool about it all and seems very comfortable with the new look. We chat for a few minutes before getting into the interview.

 

Innocent begun his music career in Tanzania where he sang in the Church choir with his mother and two brothers. He recalls when a famous choir master attended his Church, St. Immaculate Church in Upanga, Dar es Salaam, and recognized his music talent in front of the congregation. This, he says, is one of many moments he is proud of and also marks the moment when he realized he could really sing. When he was in high school, innocent begun playing the guitar and listening to different styles of music. On occasion, he and a few of his friends got the opportunity to perform at wedding receptions before the main band performed. 

 

It was not until he listened to Bob Marley, that Innocent’s love for reggae music materialized. In the early eighties, Innocent moved to the United States to attend college and pursue his love for music. While studying Computer Science, Innocent confesses that his mind was rarely attentive enough, as his interest lay in music. After a short three years in the United States, he decided to move back to Tanzania and concentrate on his music career.

 

Back home, Innocent joined a band, Mionzi – which means sunray – and toured with the band for two years in Tanzania. During the band performances, Innocent played different roles; a drummer, a bass player and singer. Though he enjoyed singing, Innocent does mention that it was somewhat difficult because he didn’t always get to perform the songs he wrote. Besides that, the experience with the band for those years he says was wonderful. 

 

As the interview progresses, Innocent who is quite humorous, accompanies most of his answers with anecdotes. While on tour with the band and traveling by train to Kigoma, near Gombe Innocent remembers a violent downpour that broke the railway tracks apart. Unfortunately, the carriage he and the band were riding in was separated from that which had their musical instruments. Though stranded, Innocent got to meet Jane Goodall, the famous "ape lady" who lived in Tanzania then, before finally getting their equipment back, three months after the accident.

 

After a few years home, Innocent once again moved to the United States, this time focusing solely on his music. He lived in New York for a while before a friend living in Minnesota invited him to visit. In a matter of a week, Innocent decided to permanently move to Minnesota which turned out to be a good call on his part.

 

He joined Les Exodus, a reggae band that performed across America. Les Exodus released a CD titled Kilimanjaro before part of the members decided to go separate ways. Despite this, Innocent’s musical talent didn’t fall short as it won him the Minnesota Music Award for best male vocalist for World Music. This stands out as another proud moment in his career and he lets me know that the award is back in Tanzania at his fathers’ house, well polished and appreciated.

 

Of his music, Innocent says his favorite songs are always the ones he is currently working on. Though he gets a lot of requests on particular songs – Kilimanjaro, Mama I’m coming home, Sote ni Ndugu – he personally enjoys working on new music.
Having listened to his music which is soulful and heartfelt, Innocent affirms that his message, which has mainly been a better life for Africa, has not changed over the years, it’s only grown stronger. This message is clear throughout his other CDs that include Greetings from Africa, Full moon and Shine Africa.

 

Recently he performed in Duluth at the Bayfront Reggae Festival with artists such as Sister Carol, Third World and Gizzae. Throughout the years, Innocent has been opening for artists like Burning Spear, Lucky Dube, Freddie McGregor and Sugar Minott, who has been a major influence in the reggae music scene.

 

He has also worked on projects that highlight issues going on in Africa. A few years ago he collaborated with Red Cross for a fund raiser to help aid the situation in Rwanda, and a few months back, he was involved in a concert to aid Darfur. His future prospects include concerts in Africa on AIDS awareness, similar to the Wrap It Up campaign in America. He also has CDs in the works, one in Swahili and the other in English which he hopes to release soon.

 

On Friday nights, Innocent performs at the Blue Nile in Minneapolis and continues to have performances in different States in America.

 

It’s always interesting to meet an artist because you never know what you get. We idolize them, long to know this life that they live and be a part of it. But with Innocent Galinoma, it’s not the glamour or the fame. It’s the fulfillment of a dream through music and having a purpose in it all. He’s funny, interesting but importantly particular about his music, his words, his message and the way he delivers it. 

Go to photo gallery for images.

 

Saving For College with 529 Plans

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As another school year ends, college tuition payments are now another year closer. Parents often wonder when they should start saving and how much.

College tuition and fees are costly and on the rise. Even with 4-year private schools running on average $30,000 per year, the cost is well worth it. According to the US Census Bureau, individuals with a bachelor’s degree earn more than double those with just a high school diploma.

How much to save depends on how much you think your child’s education will cost. The best way is to start saving before they are born. The sooner you begin, the less money you will have to put away each year.

Example: Suppose you have one child, age six months, and you estimate that you’ll need $120,000 to finance his college education 18 years from now. If you start putting away money immediately, you’ll need to save $3,500 per year for 18 years (assuming an after-tax return of 7%). On the other hand, if you put off saving until the child is six years old, you’ll have to save almost double that amount every year for twelve years.

Another advantage of starting early is that you’ll have more flexibility when it comes to the type of investment you’ll use. You’ll be able to put at least part of your money in equities, which, although riskier in the short-run, are better able to outpace inflation than other investments in the long-run.

How Much Will a College Education Cost?

Based the survey completed for the 2006 Trends in College Pricing, the average cost for tuition, fees, room and board for 2006-2007 was:

    $12,796 per year for 4-year public colleges and universities.
    This is an increase of 6.3% from 2005-2006 findings

    $30,367 per year for 4-year private colleges and universities.
    This is an increase of 5.9% from 2005-2006 findings

It should also be noted that on average, full-time students receive $9,000 of financial aid per year in the form of grants and tax benefits for private 4-year institutions, $3,100/yr for public 4-year institutions, and $2,200/yr for public 2-year institutions.

Section 529 Qualified Tuition Plans

Many parents are looking at ways to save for college. In 2000, Section 529 plans, also known as Qualified Tuition Programs (QTP) became a popular college savings vehicle for parents.

Every state now has a program allowing persons to prepay for future higher education, with tax relief. There are two basic plan types, with many variations among them:

 1.The Prepaid Education Arrangement. Where one is essentially buying future education at today’s costs, by buying education credits or certificates. This is the older type of program, and tends to limit the student’s choice of schools within the state.

 2.Education Savings Accounts. Where contributions are made to an account to be used specifically for future higher education.

Tip: When approaching state programs one must distinguish between what the federal tax law allows and what an individual state’s program may impose.

You may open a Section 529 program in any state. But when buying prepaid tuition credits (less popular than savings accounts), you often need to apply the credits to a specific college or group of colleges.

Unlike certain other tax-favored higher education programs, such as the Hope and lifetime learning tax credits, federal tax law doesn’t limit the benefit only to tuition. Room, board, lab fees, books, and supplies can be purchased with funds from your 529 Savings Account. (Individual state programs could be narrower.)

The two key individual parties to the program are the Designated Beneficiary, the student-to-be, and the Account Owner, who is entitled to choose and change the beneficiary and who is normally the principal contributor to the program.

There are no income limits on who may be an account owner. There’s only one designated beneficiary per account. Thus, a parent with three college-bound children might set up 3 accounts. (Some state programs don’t allow the same person to be both beneficiary and account owner.)

Contributions must be in cash, and must not total more than reasonably needed for higher education (as determined initially by the state). Neither account owner nor beneficiary may direct investments, but the state may allow the owner to select a type of investment fund (e.g., fixed income securities), and to change the investment annually, and when the beneficiary is changed. The account owner decides who gets the funds (can pick and change the beneficiary) and is legally allowed to withdraw funds at any time, subject to tax and penalty discussed later.

Letter from the new editor

As Mshale’s new editor, I wanted to start by welcoming the African community and friends of our continent to the newspaper. But I remembered that most of our readers have known the publication longer than I have. Therefore, I’m going to thank you in advance for welcoming me to Mshale and Minneapolis.

My relationship with Mshale began almost accidentally, more than a year and a half ago. I was leaving Foxes, a Kenyan-owned club in Hayward, Calif., when Michael Wanguhu, an acquaintance of mine, handed me a copy of Mshale. Wanguhu, a filmmaker, had been featured in Mshale after the release of his film “Hip-Hop Colony.”

I took to the paper home with me and read it. Even at 2:30 a.m, and after a few drinks, Mshale made sense. I wanted to be part of it. I called Tom Gitaa, the publisher, on the following day and asked to write a story for the issue of January 2006. We have worked together ever since.

What attracted me to Mshale was that the newspaper identified a vacuum and was making tremendous efforts to fill it. We, African immigrants in the United States, go online and read about our relatives and friends in our motherland. We then go to the newsstands of our surrogate country and read about Americans and other immigrants who have established solid communities here. If at all our stories appear in the American media, they perpetuate the stereotypes that portray Africa as land of great suffering, where illiteracy, war, starvation and corruption loom.

Even when stories about those of us in this country appear anywhere, sensational ones get major play. For instance, a story about an African father in the Bronx losing his entire family makes the front pages nationally; the fact that African immigrants are the most educated group in the United States seldom gets mentioned.

There are, however, lessons to be learned from the way the Western press corps cover us. The most important one, in my view, is that we have to take the initiative to tell our story. We are the ones who know and appreciate the merits of our people. That is the vision Gitaa had when he founded this newspaper.

But as we struggle to tell our story, we should be careful not contradict ourselves by engaging in actions that reinforce the negative stereotypes we are so desperately trying to dispel. And, we can’t insist that we only want positive coverage of the African community. Telling our story also requires a commitment to the truth, for to do otherwise would be a great injustice to ourselves.

I am very excited to finally be fully involved in serving the African community in the United States and will work to ensure Mshale promotes better understanding between Africans and the communities they interact with every day. I hereby invite all of you to participate in this process of telling our story.

Edwin O. Okong’o — Editor

Karmel Mall Merchants Lock Horns With Landlord

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MINNEAPOLIS – Merchants of the largest African immigrant mall in the Twin Cities are involved in a dispute with their landlord, who they accused of threatening and harassing them.

The conflict at Karmel Plaza began towards the end of June, when Basim Sabri, the mall’s owner notified his tenants that he planned to introduce a pay-to-park scheme, charging customers  between $2 and $10. Sabri said the fees were aimed at easing congestion at the mall. Merchants of the mall, most of them Somali immigrants, responded by rioting and refused to make rent payments.

The mall, which is usually busy during the weekend, was a no-go zone during the last week of June as tenants decided to barricade the entrance to prevent vehicles from entering the premises. Several traders also opted to close down their shops in protest. Some of the merchants told Mshale that the troubles with their landlord were not new.

"The problem in Karmel didn’t start yesterday,” said Mohamed Osman, who owns a shop at the mall. “It’s perennial and has been brewing for years. Hardly does one year end before a fresh one erupts.”

Mohamed said before the parking matter, there was one about power outages.

In a letter addressed to Sabri, Karmel Plaza Business Association members rejected the introduction of parking fees imposed on customers entering the establishment. They termed such a move a breach of contract and an effort to scare their clients away.

The tenants’ association called for an unconditional two-hour free parking for customers and the reservation of the underground parking lot for the tenants. They also demanded a two-year minimum rental contracts with the management and the end of what they said was “harassment and threatening behavior of tenants by the landlord.”

Another businessman, a cafeteria owner who did not give his name, said he had to seek the help of a lawyer to put an end to what he called “continuous harassment” from the landlord. He said that Sabri threatened to evict him every time they had a disagreement.

“Its only after he realized that I meant business (by hiring a lawyer) that he stopped coming to my premises to threaten me,” the cafeteria owner said.

Sabri denied having threatened his tenants and said he had built a good reputation spanning more than two decades. He said that during his 27 years as a landlord, he had evicted only three tenants.

“You have to push me hard to evict you,” Sabri said. “There is no single landlord in this state who can tolerate what I go through.”

Sabri, who also owns several shopping malls leased by Somali and Latino immigrants in Minneapolis, said the parking solution required an investment of approximately $100,000, an amount that he said could not be raised overnight. He said that despite constructing a new lot with 100 parking spaces in the adjacent building, one block from the mall, the tenants refused to park there. Efforts to find a lasting solution to the problem had failed, he said.

Without giving names, Sabri accused a group of his tenants of inciting other merchants by spreading lies about him. But two tenants displayed eviction letters giving them a 30-day to move out of Sabri’s property. They said they went to the tenants’ association, which quickly demanded an unconditional revocation of the order. The association accused the landlord of victimizing some of its members for their outspokenness.

After accusations and counter accusations, the warring parties met at Sabri’s office in an attempt to resolve their differences. Tenants reported that a heated debate took place, with each group accusing the other of causing the problem. In the end, they temporarily agreed to try for two months a system that offers customers free parking for the first hour, to test its viability.

Sabri also agreed to give the tenants the two-year contracts they asked for. But he was quick to point out that only those with a history of paying rent on time would benefit from the deal.

Osman expressed doubt that the agreement was going to end the quarrels between Sabri and his tenants.

“It’s hard to tell if this agreements is gonna hold, but who cares,” Osman said. “We’ll wait and see.”

Lynx Win to End Losing Streak

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Lynx Win to End Losing Streak

On Friday July 27th the Minnesota Lynx beat the Los Angeles Sparks 85-76 and ended their 10-game losing streak. It was an intense and memorable game for many Lynx fans. What was also noteworthy were the members of the African community that came out in support of Los Angeles Sparks guard and birthday girl Mwadi Mabika, a native of Congo. Mshale partnered up with The Minnesota Lynx to provide a night full of fun, food, and entertainment all in a reasonable package.

Mabika, being an international basketball player, has played in Israel, Greece, and Zaire and has been playing professional basketball in the United States for the past ten years.  When asked how playing in Congo compares to playing in the United States, Mabika says that playing back home is harder because it’s a different challenge. And adds, “but I like going back home and teaching [the game].” And despite the Sparks loss to the Lynx, Mabika taught a few things with her 14 points, 7 rebounds, and 3 steals.

After the game Mabika joined her fans for pictures, autographs, and a question & answer session. The fans even sang happy birthday to her as she walked out. Children and adults alike were excited to see a talented and skilled African WNBA player. And the crowd equally impressed Mabika. She said that aside from her friends, she has never had a group waiting for her after the game. So the pictures, happy birthday signs, Q & A and autographs proved the night a success.

In the future, Mshale Night hopes to incorporate a Minnesota Timberwolves game in some format, giving attendees the chance to experience another side of professional basketball. And while it’s great to watch the game, participating is also exciting. The Lynx and the Timberwolves would like to tap into the African community even more by including some African music and dance performances during the half-time show. So keep your eyes and ears open – you don’t want to miss the next Mshale Night at the Target Center!

For more information or tickets to the Minnesota Lynx and/or Timberwolves games, contact Aneisha Johnson at               612-673-8420        or [email protected]